Peter Weibel

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What Was Old is New Again [Karlsruhe]

Tue, 2008-11-18 22:10
What Was Old is New Again - A Meeting of Art and Scholarship :: November 21-23, 2008 :: Symposium at the ZKM_Lecture Hall, Karlsruhe, Germany. Every religion, political ideology, philosophy, and scientific theory embodies a set of structured beliefs. These belief systems maintain a symbiotic liaison with the arts. Throughout history, communal beliefs have relied on music, theater, painting, and dance in order to propagate accepted doctrines, and the arts in turn have shaped the articles of fai

Internationale Biennale in Sevilla

Sun, 2008-11-16 14:07
Die dritte Ausgabe der Internationalen Biennale für Zeitgenössische Kunst von Sevilla, die bis Mitte Januar 2009 zu sehen ist, vereint mehr als 150 Künstler und Kreative aus aller Welt. Das Ausstellungsprojekt „Biacs 3“ wurde von dem dreiköpfigen Kuratorenteam Peter Weibel, Generaldirektor des Zentrums für Kunst und Medientechnologie in Karlsruhe, Wonil Rhee, Kurator aus Südkorea und Marie-Ange Brayer, Direktorin des Regionalen Zentrums für Zeitgenössische Kunst in Orleáns, entworfen. Unter de

What Was Old is New Again @ ZKM

Sun, 2008-11-16 07:41
From Rhizome.org at the New Museum, posted by Marcin Ramocki What Was Old is New Again A Meeting of Art and Scholarship Fri–Sun, November 21–23, 2008 Symposium at the ZKM Lecture Hall Karlsruhe, Germany from 10 a.m. until 6 p.m. Every religion, political ideology, philosophy, and scientific theory embodies a set of structured beliefs. These belief systems maintain a symbiotic liaison with the arts. Throughout history, communal beliefs have relied on music, theater, painting, and da

was tun, wenn peter weibel keine zeit hat?

Wed, 2008-11-12 07:01
Nah-Sehen▪Fern-Sehen. 14. bis 15. Nov. 2008 Kunstuniversität Linz, Hauptplatz 8, Hörsaal A und Foyer | onkel peter kann dort nicht auftreten. was machen die organisatorenden? sie bestellen eine auskoppelung bei rebell.tv | prima. haben wir eben ein *weiteres* ökonomisches standbein von rebell.tv ag entdeckt? | bekommen tun sie: und sie werden daran noch rumschnippseln...

ZKM presents Medium Religion

Fri, 2008-11-07 03:31
ZKM | Center for Art and Media Karlsruhe Photo: Boris Groys Medium as Religion, 2006 Courtesy Boris Groys Production ZKM | Karlsruhe Medium Religion An exhibition at ZKM | Museum of Contemporary Art 23 November 2008 - 19 April 2009 Opening: Sat, 22 November 2008 at 6 p.m. in the ZKM_Foyer ZKM | Center for Art and Media Karlsruhe Lorenzstraße 19 76135 Karlsruhe, Germany phone: + 49-(0)721-8100-1200 info@zkm.de http://www.zkm.de/mediumreligion About the exhibition: Today’s r

Peter Tscherkassky, del super 8 al CinemaScope

Fri, 2008-11-07 01:17
Publicado en el número 22 de BLOGSANDOCS El Festival Internacional de Cine de Gijón de 2008 organiza una retrospectiva parcial de la obra de Peter Tscherkassky que se proyectará en dos sesiones programadas por el propio director. La primera cuenta con una selección de piezas inclinadas hacia la abstracción visual, realizadas principalmente en formato amateur, rodadas en super 8 pero kinescopadas a 16mm: Urlaubsfilm (1983), Liebesfilm (1982), Tabula Rasa (1987-89), Parallel Space: Interview (19

EPIC Bookstore - Our Favorite Titles

Sun, 2008-11-02 15:11
Our Favorite Titles The File: A Personal History by Timothy Garton Ash Timothy Garton Ash’s “The File” is a journey into the author’s two-inch-thick Stasi intelligence file that the East German police accumulated on him during his study as a graduate student in East Berlin. These files were opened after German reunification, and have caused great tension in the country as Stasi informers were shown to have shared information on co-workers, friends, and even family members. Ash systemati

timetable. rebell.tv als action-learning?

Tue, 2008-10-21 10:44
21.10.: letzte videos schneiden und uploaden | 10h-nachrichten für morgen mittwoch | swiss embassy | flug nach zrh 22.10: h.r.fricker 23.10: off 24.10: orf/manfred schlapp | 13h basel shiftfestival: po-dium. po-ethik 25.10: bmw museum münchen | bazon brock lange nacht der münchner museen | wohnen im "haus der kunst": p!a!r!t!y! äh: produktion von hörspielen? 26.10: fortsetzung party 30.10: s.w.i.r. at cabaretvoltaire.ch | besprechung präsentation vom 3.11. 31.10: flug nach london 01.11:

vorbereitung auf: peter weibel, manfred schlapp, bazon brock und peter sloterdijk in sevilla

Fri, 2008-10-17 14:00
2733 | 17.10.2008 links & kommentare | sun yuan and peng yu | old persons home, 2007 | 13 life size sculptures and 13 dynamoelectric wheelchairs | gesehen bei saatchi.com, london

Kalkonkonst 2.0

Sun, 2008-10-05 15:10
I veckan som gick öppnade biennalen i Sevilla. Nog för att det är legio att konstvärlden överskattar sina möjligheter att påverka omvärlden. Men som Lars Vilks konstaterar, befinner sig Sevillabiennalens programförklaring i en klass för sig. Dess uppblåsta ambitioner, utan minsta spår av ironi, flaggar för kalkon. Lars Vilks sammanfattar utställningskonceptet, som inte bara skall göra åskådaren till interaktiv huvudperson utan också innebära ett definitivt brott med Euroamerikakulturen. Bienn

Del 621: Finanskris och ambitionsnivå

Sat, 2008-10-04 20:10
Det har varit en lång väntan på att konstmarknadens glödheta tillväxt skulle hamna i ett bistrare klimat. Men trots den amerikanska bankkrisen innebar september en fortsatt tillväxt. De vägledande försäljningarna på auktionshusen i New York gick hyggligt men nu, i början av oktober, kan man konstatera att höstutställningarna i New York känner av krisen. Å andra sidan är det inte förvånande eftersom krisen är mest påtaglig där. En liten artikel i DN har behandlat saken. Lägg märke till slutet, d

Realkapitalism, I: Rädslan för rädsla, modulerandet av hastigheter

Sat, 2008-10-04 18:56
ganska mycket pengar. Riksbanken skriver i ett pressmeddelande att “man är beredd att tillföra de pengar som behövs i det svenska finansiella systemet”. Så gränslöst kan endast en centralbank uttala sig. Anledningen är förstås att centralbanker har monopol på att tillverka, eller snarare hitta på, nya pengar. Även om pengarna numera oftast är virtuella finns ett ord för denna verksamhet: sedelpressarna. Just nu är nyspråket väldigt påtagligt. Talet om “säkra likviditet” kopplas aldrig till hur

Kult des Ichs

Fri, 2008-10-03 04:01
Kult des Ichs 02.10.2008. In der FR beschreibt Seyla Benhabib den Weg der Türkei in eine post-nationalistische demokratische Gesellschaft. Die NZZ staunt über den Dünkel von Horace Engdahl. Rechtskonservativ findet Peter Weibel in der Welt den Kult um Künstler. Felix Schwenzel staunt in Wirres.net über die völlige Ahnungslosigkeit bei einer Podiumsdiskussion über Google. Die SZ denkt über Roman-Adaptionen auf deutschen Bühnen nach.

John Thackara gives us all new reasons to live

Thu, 2008-10-02 17:29
(((There's a reason this guy is called "the design guru's design guru." The real crises aren't even upon us yet, and already I can feel the icy tongs of mass panic loosening their grip upon the spine of a supine humanity.))) From: doors-report@list.doorsofperception.com Subject: Doors of Perception: October 2008 Date: October 2, 2008 12:01:25 PM GMT+02:00 To: doors-report@list.doorsofperception.com Reply-To: mailman@doorsofperception.com DOORS OF PERCEPTION REPORT OCTOBER 2008 By John Thacka

The Nam June Paik Art Center announces its inaugural festival NOW JUMP

Sun, 2008-09-28 12:31
Nam June Paik Art Center NOW JUMP October 8, 2008 - February 5, 2009 Nam June Paik Art Center 85 Sanggal-dong, Giheung-gu, Yongin-si, Gyeonggi-do 446-905 Republic of Korea http://www.njpartcenter.kr NOW JUMP, the festival’s title, originates in an Aesop punchline: “Hic Rhodus, Hic saltus!” NOW JUMP is an appeal to exceed past achievements: NOW is always the time to act. An invitation or call to action, this festival also represents the ambition of the Nam June Paik Art Center to lea

El discreto encanto de la tecnología. Artes en España. Center for Art and Media Karlsruhe (ZKM), Alemania

Fri, 2008-09-26 21:46
“El discreto encanto de la tecnología. Artes en España” reúne en el ZKM  media art español. La exposición producida por el Museo Extremeño e Iberoamericano de Arte Contemporáneo (MEIAC) reúne más de un centenar de obras que resume la historia de la producción en artes audiovisuales, electrónicas y digitales en España. Con esta iniciativa el Museo extremeño incorpora una amplia panorámica del arte español al circuito internacional y lo hace, además, en una institución de referencia en el est

2008 Seville Biennale

Fri, 2008-09-26 18:38
La Fundación BIACS, conjuntamente con el equipo de comisarios de la tercera edición de la Bienal Internacional de Arte Contemporáneo de Sevilla (Biacs3), encabezado por Peter Weibel, lamentan comunicar oficialmente la suspensión del Alcázar de los Reyes Cristianos de Córdoba como sede de la tercera edición de la Bienal Internacional de Arte Contemporáneo de Sevilla (Biacs3), cuya inauguración tendrá lugar los próximos 2 y 3 de octubre en Sevilla (Centro Andaluz de Arte Contemporáneo) y Granada (

PICNIC 08 - The Long Here, The Big Now, and Other Tales of the Networked City

Fri, 2008-09-26 12:57
Previous in series on 'Picnic08' Next in series on 'Picnic08' Adam Greenfield talked at Picnic about how new technologies changes our perception and experience of cities. According to Greenfield the networked city is no science fiction anymore, it is becoming reality. We live in ubiquitous cities where information systems are linked. Information data of the city will be captured, stored and visualized. Greenfield explains how our experience and decisions are changing, because of new layers.

Der diskrete Charme der Technologie

Fri, 2008-09-26 10:11
Der diskrete Charme der Technologie 26-Sep-08 Hace unos meses, el MEIAC (Museo Extremeño e Iberoamericano de Arte Contemporáneo) presentaba la exposición El discreto encanto de la tecnología con estas palabras: A través de la selección de 119 obras de excepcional valor estético e histórico producidas en España, la exposición enlaza el siglo XIII con el XXI mediante una articulación modular que se centra en cinco grandes temas, representativos para la condición artística: el código formal; el

The Morning Line [Seville]

Thu, 2008-09-25 15:07
The Morning Line by Matthew Ritchie with Aranda\Lasch and Arup AGU :: October 3, 2008 - January 11, 2009 :: Centro Andaluz de Arte Contemporáneo at the 3rd Bienal Internacional de Arte Contemporáneo de Sevilla (Biacs) curated by Peter Weibel with co-curators Marie-Ange Brayer and Wonil Rhee. The Morning Line is a groundbreaking architectural project, designated by Ritchie as a porous “anti-pavilion”, both ruin and monument, a drawing in and of space, an open cellular structure. To devise an ar